Gwen Stevens had a privileged life until her father spoke three little words that turned her world upside down. “You’re cut off.”
Broke and desperate, Gwen is forced to accept a waitressing job, but this glimmer of hope has a price. As if being a cocktail waitress isn’t bad enough, she has to do it in a dive bar called The Den, and her bad luck doesn’t stop there. She also needs to deal with the new owner, a blue-eyed, self-righteous ass determined to make her life miserable.
Liam Sinclair walked away from the entitlement and obligation his family planned for him, vowing to make his own way in the world…
Adjusting to life as a new business owner, Liam has experienced more than his fair share of setbacks. When his only waitress breaks her leg, his sister takes it upon herself to hire a replacement—a spoiled, self-indulgent hothead with too much makeup and more than enough attitude. Gwen represents the world he’s trying to escape, a world of excess and greed that he was never cut out for.
Appearances can be deceiving, and first impressions aren’t always right…
Despite their apparent differences, the tension between them turns to a fiery passion that neither of them can resist. Together they find balance and learn to appreciate the simpler things in life. But Gwen soon discovers that old habits die hard, and one mistake is all it takes to ruin everything.
Forgiveness must be earned, but even a villain deserves a chance at redemption…
Editors. Some writers love them, others dread them, some love AND dread them. I’ve been so fortunate to work with a few of the good ones. Yes, I’ve had the odd bad experience–like the time this second language learner knew more about sentence structure and grammar than the editor–but mostly it has been wonderful.
Not only do editors save a writer’s metaphorical butt by finding all those pesky little typos and grammatical mistakes the writer can’t see anymore because she is too close to the story, but they are also her pep-squad, and in some cases, the voice of common sense.
I’ve learned so much from my editors, I’ll never be able to thank them enough. I find myself trying to remember all the mistakes they’ve pointed out, so I don’t make the same mistakes again. After all, writing a book is a team effort. Without the keen eyes of my editors, my books would be riddled with preposition mistakes (the bane of my existence) and too many useless words. Their encouraging words always make my day and are often my “gauge” to readers’ reactions.
To those behind-the-curtain heroes, I salute you and thank you!
What have your experiences with editors been? Do you love or dread them? I would love to hear about your opinion and experiences.
Hi. My name is Natalina Reis and I’m a pantser.
Most of the time this does not bother me in the least. I just ride the wave of creativity and see where it takes me. But there are moments when I wish I was more of a planner so I could avoid those instances of staring into the screen of my laptop wondering what the hell to write.
I just started a new WIP. A while back I had written a flash fiction piece for my publisher and I immediately fell in love with the characters and knew I had to write their story. The problem is that beyond the fact that they would fall in love and have their HEA, I had nothing else. Okay, maybe I did have the sketchy beginnings of two hopefully awesome characters and their personalities, but that was it. Not unusual for me. My expertise in pantsing often repeats this pattern of starting from a big chunk of nothing and turn it into something.
I had to wait since I was still finishing my last WIP. Big mistake. A friend happened to suggest in passing that I ride the modest success I had with my last paranormal romance and write another. Cai and Sam’s story was lined up to be a contemporary m/m romance. However my freakishly hyperactive imagination immediately set those two into the background of a shifter romance.
Fast forward to yesterday when I finally was able to start writing it. After a long stretch of time researching hawks, I was ready. Right! I sat, staring at the laptop for over an hour. My mind refused to make the jump from contemporary to paranormal, no matter how much I wanted it. After a while I gave up and went back to editing my other novel.
Later that day my brain lit up and the words came to me. I was ready to make the transition–kind of like my main character transitioning from human to hawk, I was able to begin the spin into paranormal. The words began to flow.
This doesn’t mean that I won’t be staring at the laptop again tomorrow or the next day searching for words to push the story forward because in my mind, my story plans are still as clear as mud. I would describe my process as when you are walking or driving through a very thick fog–what’s in front of you reveals itself one thing at a time and always when you are almost upon it. There’s a certain beauty to it, like unwrapping a unexpected gift. Like everything else in life there is a good and a bad side to being a pantser. When it’s bad, it is very bad. But when it’s good, it’s amazing.
What does your writing process look like? I’d love to hear about it.
During my very short writing career I’ve been fortunate enough to be part of two authors’s panels. Obviously I’m not an expert and this blog is merely a reflection of my limited experience and pure observation of many other panels I attended in the past.
My first time as part of a panel was at a major book event and I was so lucky to share it with two amazing writers. It was a great experience. The questions were smart and thought provoking (and hard), everybody had an equal chance to talk, and the audience was engaged throughout the whole thing.
At that same event I was part of the audience for another panel with four great YA writers and I was astounded by the lack of courtesy one of the members showed the others by monopolizing the conversation. The other authors were frustrated and I was equally upset because the one author I was there to hear talk never got the chance to open her mouth. I felt cheated as a fan and I’m sure she felt cheated of her chance to interact with her readers.
My second time was at a smaller event and things didn’t quite go as smoothly for me this time. The subject of the panel was something I’m very passionate about and I prepared for hours so that the audience wouldn’t get bored. Unfortunately a couple of the other panel members seemed to be totally oblivious to time constraints or be respectful of the other members. It took them over thirty minutes to answer a question which had a time limit of five minutes. On top of it all, they read from the handout going home with the audience (which was supposed to be an extension of what was discussed during the panel). Needless to say I was frustrated, bored, and the teacher in me really wanted to explain to them the concept of sticking to the schedule.
Here are some pointers (which I totally made up for this blog) on what NOT to do in a panel discussion.
- Do NOT go over the time allotted to you for each discussion point or question.
- Do NOT insult your audience by reading directly from your notes. Your audience knows how to read and can read the notes on their own and on their own time.
- Do NOT hog the discussion. Allow the other authors in the panel to participate no matter how fascinating you believe your speech is. Others may not be as passionate about it.
- Do NOT take the lack of hands up in the air as evidence that the audience is fascinated by your words. They may very well be taking an open-eyed nap or visiting their zen place while you speak.
- Do NOT explain the whole plot of your book to explain something generic to the genre.
In summary, and to put it quite simply, respect the other members’s right to discuss the content matter and try to make it interesting enough for the audience to feel they haven’t wasted their time.
Note: the panels pictured in this article are not in any way related to the ones I attended. In fact, judging by the smiles, I would say these particular panels were probably quite awesome 🙂